Copper Plate Engravings from Flora Londinensis

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Osmunda spicant Fern
CFL45 $185
Sale Price: $95
Ranunculus sceleratus
CFL66 $165
Sale Price: $80
Rumeae obtusifolium
CFL59 $155
Sale Price: $75
Sedum telephium
CFL50 $145
Sale Price: $70
Atriplex hastata
CFL51 $145
Sale Price: $70
Chenopodium polyspermum
CFL52 $145
Sale Price: $70
Atropa belladonna
CFL64 $165
Sale Price: $80
Galeopsis versicolor
CFL58 $165
Sale Price: $80
Parietaria officinalis
CFL67 $165
Sale Price: $80
Melittis melissophyllum
CFL68 $165
Sale Price: $80
Rumex crispus
CFL69 $155
Sale Price:
SOLD
Teucrium scorodonia
CFL70 $155
Sale Price: $75
Stachys sylvatica
CFL71 $165
Sale Price: $80
Salvia verbenaca
CFL72 $165
Sale Price: $80
Ajuga reptans
CFL73 $165
Sale Price: $80
Lamium purpureum
CFL74 $165
Sale Price: $80
Orchid, Ophrys apifera
CFL88 $165
Sale Price: $80
Orchid, Orchis morio
CFL76 $165
Sale Price: $80
Stachys palustris
CFL79 $165
Sale Price: $80
Lythrum salicaria
CFL80 $165
Sale Price:
SOLD
Ophrys anthropophora
CFL86 $165
Sale Price: $80
Anemone nemorosa
CFL84 $175
Sale Price:
SOLD
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Copper Plate Engravings from Flora Londinensis

We are honored to offer a selection of superb hand colored folio engravings from the first edition of Flora Londinensis by William Curtis. These first edition prints are the rarest of Curtis's large-scale prints.

This comprehensive and elegant work was Curtis’ masterpiece and the first comprehensive study of the flora of England. The artists included the inimitable James Sowerby, Sydenham Teak Edwards, Francis Sansom & William Kilburn, all in their salad days, when the sap ran strong & creative! 

Born in Alton in 1746, William Curtis early on left an apprenticeship at an apothecary to pursue the passion which unites us all, the love of plants. Out of this love came the Flora Londinensis, which, though highly acclaimed by his fellow naturalists, was not a financial success. Curtis had labored on this work for over ten years, selling it out of his own home. He finally came to the understanding that a work of showy & bright exotic plants would be more likely to succeed with the general public than images of the wayside & woodland plants of England. Thus was born, in 1787, the Botanical Magazine, which Curtis called his “pudding” as it earned him sustenance, rather than the unremunerative praise of the Flora Londinensis. We have faith that time has allowed us to developed a much greater appreciation of this seminal work. 

(References: Sotheby's 1987 Catalog, pg. 140 & Blunt, The Art of Botanical Illustration, 1950, pg. 184-185)


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