While our images are electronically watermarked, the antique prints themselves are not.
Cooper's Flycatcher Balsam or Silver Fir ABT109 $155 Sale Price: $75
Each print measures
approximately 10 1/4 inches by 6 3/4 inches
John James Audubon (1785-1851) was born in the French colony of Santa Domingo (later known as Haiti) to a wealthy French sea captain & merchant and a young slave, Jeanne Rabin, who died six months after his birth. Early on, Audubon became passionately interested in nature, avoiding whenever possible the rigors of the French educational system by wandering in the countryside sketching & collecting.
He was sent by his father to his plantation Mill Grove in Pennsylvania possibly to avoid conscription into Napoleon’s army. There he pursued his love of nature and collecting in a bountiful environment, to the detriment of the business of running his father’s plantation.
His marriage in 1808 to Lucy Blackwell, an English woman and neighbor, added stability to his life. For over ten years, the family lived in Kentucky where Audubon was a frontier shopkeeper, while continuing to pursue his avocation of naturalist & artist. While there, Lucy gave birth to two sons, Victor Gifford and John Woodhouse, as well as a daughter who died in infancy. Audubon was quite successful in business for a while, but hard times hit, and in 1819 he was briefly jailed for bankruptcy. In the absence of other opportunities, Audubon launched on the life of backwoodsman, naturalist & adventurer in the south, while Lucy supported them by working as a governess. Lucy survived both her husband and sons, selling off the copper plates for The Birds of America late on in life for their value as scrap metal. Fortunately, many were rescued.
Audubon worked on the monumental Birds of America from 1827-1838, illustrating & editing one of the largest & most expensive bird books in the world. He used the finest of specimens, and all types of media including oil crayon, pastel watercolors, ink & gouache to stunning effect. His genius was in his intimate knowledge of the world of birds & their surroundings gained from a lifetime of observation in the field, and the ability to translate this vision into a publication that has never been equaled in the world of ornithology.
Audubon also applied his methodology and artistry to create a record of the Native American mammals. The Quadrupeds of North America, which became an immediate success on publication, illustrated many frontier mammals never before seen or depicted. A mainstay of this work of Audubon’s later years was John Bachman (1790-1874), a Lutheran minister & naturalist from Charleston and a renowned authority on American quadrupeds. Bachman’s daughters, Maria & Eliza later married Victor & John, Audubon's sons, uniting the two families. Bachman’s initial hesitation about the work was largely overcome by the agreement that the proceeds of the publication would be for the benefit of Victor, John, and their families. Bachman was a pivotal influence in the completed work, writing most of the text & editing the entire work.
Sadly, Audubon died before the publication of the quarto edition of the Quadrupeds which was completed by his son, John Woodhouse Audubon. The legacy of Audubon to the world was in these two superb works on American Birds & Quadrupeds which have come to signify a love of all wild creatures & the environment, epitomized today by the Audubon Society, & immortalized world wide in publications and the stamps of over 60 countries. In the words of the Audubon Society, perhaps above all else, Audubon was a lover and observer of birds and nature.
References include Dictionary of Bird artists p.141, Great Bird Books p. 73 & the Audubon website, at www.Audubon.org
We are pleased to offer hand colored prints from the last edition of the most accessible of all the Audubon works, the quarto Birds of America, published by George R. Lockwood in 1871. This edition was produced by the firm which took over the lithographic stones from the Audubons following their bankruptcy. It is the rarest of the quarto editions as the plates were destroyed in a fire.
The later editions differ from the first quarto edition in that there are added color printed backgrounds on some. The birds and foliage remain hand colored as in the first edition. The prints are in wonderful condition on heavy wove paper with no foxing and vibrant hand coloring and gilt-edged except on gutter margin. They represent a great bargain for original Audubon prints. Each print measures approximately 10 1/4 inches by 6 3/4 inches, with binding edge preserved intact. The text pages are included and when overlapped, have been carefully copied.
It is a great pleasure for us to present this work almost in its entirety with a wonderful array of the top plates at a fraction of the cost of the first edition. The first section showcases the top 50 prints, derived from information by Ron Flynn, author of the authoritative Audubon guide books.
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