Tsuchiya Koitsu Japanese Woodblock Prints

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Araki Street in Yotsya 1935 on "Doi' watermarked paper, early copy c 1940-50
light marginal toning and on verso with couple small tape remnants
16 3/4 by 11 1/4 inches
KOI50 $245
Ushigomi Kagurazaka post 1948, Doi text on lantern
toned margins and verso
16 3/4 by 11 1/4 inches
KOI51 $245
Comorant Fishing in Nagara River, 1940
Signed in lower right, Artists Seal
Printed 1950-63 on "Do" watermarked paper
10 1/2 by 15 5/8 inches
KOI17 $495
Lightly toned paper, slight creasing
Manazuru Harbor 1936
Signature, Artists Seal
Later Edition, circa 1950-62 on "Do" watermarked paper
8 by 11 1/4 inches
KOI18 $345
Miyajima in Snow 1936
Signature, Artists Seal
Later Edition circa 1990
8 1/8 by 11 3/8 inches
KOI19 $295
Ueno Park, a Maiko walking 1930
11 1/8 by 17.3 inches
KOI2 $
Numazu, one of Tokaido's 53 Stations, 1940
11 1/8 by 17 inches, printing circa 1980
KOI3 $
Ukimi-do Temple at Katada, Lake Biwa on a snowy day, 1934
10 1/4 by 15 5/8 inches
KOI4 $
Akashi Beach 1934, printed 1945-60
10 1/4 by 15 3/8 inches
KOI5 $
Sunset at Tomonotsu, Island Sea, 1940
10 3/8 by 15 2/3 inches
KOI6 $

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Tsuchiya Koitsu Japanese Woodblock Prints

Tsuchiya Koitsu (1879-1949) was a master of the Shin Hanga movement, though his first prints were of the Sino Japanese war. Born in rural Japan, he started an apprentice as a wood block carver at the age of 15. He came the attention of the ukiyo-e master Kobayashi Kiyochika in whose house he lived and studied for 19 years.

In 1931 he met the publisher Watanabe Shozaburo who was spear-heading the new Shin Hanga movement, focused on natural beauty, light, landscapes, people, birds & flowers. The Western Impressionist movement was influential in this new style of Japanese prints.

Koitsu was inspired by the new direction and began to create hauntingly beautiful scenes of Japan bathed in moonlight, sunsets and the changing seasons.

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Japanese Shin Hanga Woodblock Prints

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